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    "...When Primo Levi Killed himself everyone said it was because of his having been an inmate of Auschwitz. I thought it was because of his writing about Auschwitz, the labor of the last book, contemplating that horror with all that clarity. Getting up every morning to write that book would have killed anyone."
    She was speaking of Levi's The Drowned and the Saved.  "

    I was stunned because Roth had once said that to me. Not that I was the only one he said it to -- I'm sure it was an opinion that he tried out on several people. But I'm not sure if I have ever been party to a conversation that I then read in the mouth of a character. It is worth noting that Roth chose not the Philip Roth character (his alter ego Zuckerman) but another, to say it.

    And here's the strange thing. When Roth said it, it had impressed me, and stayed with me. So much so that I had worked it in to something I was writing.

    In my piece (unpublished fiction) the lead character says the following:
   

 “The Drowned and the Saved,” Levi’s last book is possibly the best – the truest book ever written about the Holocaust.”  Fischer said. “One writer said that he understood why Levi killed himself: after writing such a book, there was nothing left to say.”

  Perhaps I should now change it to "Philip Roth once said......"

    This is all the more ironic, and all the more interesting because "Exit Ghost" concerns itself with separating what a writer uses from real life, from how he uses and what it becomes in fiction.

Her work called to mind a tropical, female Kafka with sensory overload. As the French literary critic and philosopher Hélène Cixous put it: “I discovered an immense writer, the equivalent for me of Kafka, with something more: This was a woman, writing as a woman. I discovered Kafka and it was a woman.” Unlike Kafka’s however, Lispector’s work—though obsessed with Brazilianness and a sense of belonging—had little to say about its own Jewishness. As Grace Paley writes in the introduction to Lispector’s book of stories, Soulstorm: “I thought at one point in my reading that there was some longing for Europe, the Old World; but decided I was wrong. It was simply longing.” And according to Moacyr Scliar, Brazil’s foremost Jewish writer, Lispector “didn’t deny her Jewishness, but she didn’t push it. The reason why this happened is still the subject of discussion here in Brazil.”