Today, reality TV is a genre for which they award Emmys, from which careers are born, love is found, and fortunes are made. Reality TV represents a huge share of the television industry, and we accept that these shows are cast, produced, and edited to enhance their drama. Yet if we see humor in the self-seriousness of the participants and delight in the outrageousness of their antics, if we see the irony in the genre’s ability to produce stars (and even presidential candidates!) and acknowledge it as part of “show business” — then we’d do well to recall that these insights have already been abundantly elucidated in Albert Brooks’ prescient 1979 debut feature film, Real Life.
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